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Rating: Cars and humans have had a special chemistry ever since they were invented, it gave humanity the much-needed speed for its progress, and suddenly the world seemed a smaller place. These automobiles, parts of a machinery moving together could create such power. Gradually it became associated with symbols of masculinity, ***ism etc.Soon they also evolved in different shapes and sizes giving themselves more character and personality, so much so, that soon one could understand a man’s taste by the car he drives and the fineness of the machine by the man who drove it. Cars also became so much entwined with cinema that you couldn’t imagine a film without it, either the protagonist driving it, or the police car chasing the hooligans or a beautiful girl getting stranded because of car trouble and eventually falling in love with the man who stopped to help.Cars have also been presented in different characters in different films mostly with respect to the relationship the owner seemed to develop with the car.

In year 2006 came Cars, and it completely ruptured that relationship. Suddenly cars could speak and not communicate simply by throwing tantrums like they used to do. It was alive and did not need humans to feel validated. The third addition to the series is China PS Series quite similar to the previous one and there seems to be a generic plot structure here with a beginning, where Lightning looses the race and goes into an existential crisis, comes on the verge of breaking down and giving up, meets old pals, tries to find motivation and ends up winning the race.What started in the year 2006 is finally come to a full circle.Lightning McQueen, the prodigy who made us fall in love with the race track in a totally humane way, has found his own protégé while trying to recover his own Mojo. Lightning goes through the usual motions of denial, then acknowledgement, then trying to find solutions to his problems and while he is at it, connects with his old pals who help him regain the motivation and focus required for the race.

Disney and Pixar studios have mastered this art of very controlled maneuvering where they take the audience through the motions themselves. It does not feel like you are watching a real story or something that could be remotely real. On the contrary, it feels like a very well planned and articulated roller-coaster ride that makes you feel the emotions exactly where it is designed to make you feel.

While Disney and Pixar may pride themselves in the fact that in a mere two hours time frame they are able to bombard you with life lessons, they must realize that the audience soon becomes immune to all that. Sure it is entertaining and gives you a momentary kick but the buzz leaves you as soon as you have left the theater, especially in the case of Cars. This installment of the series focused on the new world of futuristic designs and tools taking over the old world of emotions and raw power. Lightning has had glorious racing careers, but its time now for the younger generation to take over. What makes it interesting is that he discovers his protégé in the most unexpected car, a trainer car that has no real racing experience and on top of that is a female, Cruz Ramirez. She has been bullied and pushed to the corner that she gave up on racing altogether and was content on being a trainer, when she meets Lightning, who has been her inspiration while growing up.By a twist of fate and some intelligent maneuvering, the race is won, only this time it is Cruz, motivated by Lightning who reaches the finish line. I am wondering if there would be a next installment and if so, would Cruz continue to finish races or would there be another twist to put the male back in the front.

She has decided to live for a “sacred mission”-— to bring to book her son’s killer. It did not take long for Kismat Maurya (39) to figure out that a long and arduous battle lay before her when she first visited the Ayodhya Nagar police station on November 9, 2015, days after the last rites of her son Aditya Maurya (19) had been performed.Aditya, an engineering student, died on October 22 last year, after being hit by a car while he was taking a stroll on the sidewalk with one of his friends at around 11 pm.While the police dismissed it as death in a road accident, without pursuing the case for any headway, Ms Maurya took it upon herself to gather evidence against the unknown accused who had hit her son and then fled away from the scene.“I had made a few phone calls to Ayodhya Nagar police station and realised that the probe was going nowhere. I set out for Bhopal on November 9 and went straight to the accident site. I walked up and down the road at least 30 times. My instinct told me there must have been eye witnesses as there was a petrol pump and a Durga Puja pandal close to the spot. I also spotted three CCTV cameras at the nearby square,” she told this newspaper narrating how she went about collecting evidence, which, she alleged, the police never did.When she approached the police station for the CCTV footage.

Ms Maurya was told that images captured from October 22 to November 9 had been deleted. “I felt the ground beneath me was slipping. I am an MSc in computer science. I know that nothing is ever deleted beyond recovery. I ensured that it was retrieved,” Ms Maurya said.A week later, she again approached the police station to learn that the video footage she had submitted had gone missing. “I was deeply upset. How can the clippings disappear from the police control room I again got the footage retrieved and this time I made sure to keep a back-up.”When the police told her that they were unable to identify the car from the footage, Ms Maurya retrieved a grainy image of the registration number of a car believed to be the one involved in the accident. She novel wind power inverter not only tracked down the car in the neighbouring town of Raisen but also traced its owner. The vehicle had a dent in the bumper, which had been covered by stickers.The vehicle owner, a local advocate, argued that the damage was done after the car hit a pole.

Forensic tests later confirmed that the car had hit either a human body or cattle.Ms Maurya had to also struggle to disprove the vehicle owner’s claim that he and his son were not in Bhopal when the incident took place. He had produced photographs to show that he was with a politician at the time of the accident.“I got the pictures analysed and found that the photographs were taken at another time,” Ms Maurya said. The car owner then produced a middle-aged man, who admitted before the police that he was the one driving the vehicle. But Ms Maurya produced CCTV footage to contest the assertion, showing someone “young and slim” to be in the driver’s seat.Ms Maurya also produced a 14-second animated video that she had developed to recreate the crime scene. But police was still waiting for “concrete evidence” to convert the case from an accident to that of a murder.

Ms Maurya went back to the accident site, visited an eatery located nearby, and returned with five witnesses, one of whom later testified before a magistrate.While her efforts have produced little progress in the investigation, they did result in transfer of two police officials and also of the case to another police station for a “fair probe”.The police, meanwhile, has said the case “lacks motive”. “A murder case cannot be registered as the motive is not established,” local superintendent of police Anshuman Singh said.Having done her own investigation so far in the case, Ms Maurya now wants to interrogate the accused herself.“Police simply did nothing. The probe has progressed only because I toiled to gather evidence. Let the police give me the power to interrogate the people linked to the case and I will produce evidence to establish the motive,” said the mother who also accessed her son’s Facebook account to find possible conspiracy angle.She last met Madhya Pradesh’s director general of police R. Shukla on September 20 seeking justice. “I will fight it to the finish, even if it غير مجاز مي باشدts me my life,” a frail looking, but determined, Ms Maurya said.